A stitch in time

Portrait of Bianca Sforza, "la Bella Principessa", Leonardo(?), ca.1496

The controversy over the Bella Principessa takes a fascinating turn as Martin Kemp uncovers, in Poland, what appears to be the 15th-century codex from which this page was torn. Binding marks on the left edge of the page of vellum match the position of stitching in the handcrafted book.

If true, as true it seems, this announcement would seem to put to rest the claim by Christie’s and assorted connoisseurs that this is a 19th-century German pastiche or a 20th-century forgery rather than an authentic early modern work possibly from the hand of Leonardo.

See H. Niyazi’s overview for details of the attribution history and attending issues.

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The New Leonardo is a Three Pipe Problem

The game is afoot! Hasan Niyazi is on a mission to separate fact from fancy in the matter of the newly attributed Leonardo painting, the Salvator Mundi.

In his latest post, H. provides a summary and some speculations based on the information currently available to the public. Along the way, he explores the history of this iconography, dips a toe in the Timaeus, and continues to develop his stance regarding the intersection of connoisseurship and science.

Check it out!

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Connoisseur, d’après xkcd

Click to embiggen!

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