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	<title>Baroque Potion &#187; Sculpture</title>
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	<description>Quaff the Potion!</description>
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		<title>Immersion</title>
		<link>http://www.baroquepotion.com/2010/07/immersion/</link>
		<comments>http://www.baroquepotion.com/2010/07/immersion/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 17:29:54 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Formal Analysis]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Buddhism]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[fresco]]></category>
		<category><![CDATA[painting]]></category>
		<category><![CDATA[phenomenology]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=238</guid>
		<description><![CDATA[In the first post in this series, I discussed ways in which the space around a single figural sculpture becomes a tacit part of the artwork by virtue of the moving viewer&#8217;s interpretive act. In the second post, I considered &#8230; <a href="http://www.baroquepotion.com/2010/07/immersion/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Technology</title>
		<link>http://www.baroquepotion.com/2010/07/technology/</link>
		<comments>http://www.baroquepotion.com/2010/07/technology/#comments</comments>
		<pubDate>Sun, 11 Jul 2010 00:07:42 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Formal Analysis]]></category>
		<category><![CDATA[Rodin]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=198</guid>
		<description><![CDATA[In the previous post in this series, I considered how the pose and three-dimensionality of a figural sculpture support its interpretation. I noted that representational sculptures reside at the intersection of what is actual and what is virtual. Because it &#8230; <a href="http://www.baroquepotion.com/2010/07/technology/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Diegesis</title>
		<link>http://www.baroquepotion.com/2010/07/diegesis/</link>
		<comments>http://www.baroquepotion.com/2010/07/diegesis/#comments</comments>
		<pubDate>Fri, 02 Jul 2010 05:01:55 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Formal Analysis]]></category>
		<category><![CDATA[Bernini]]></category>
		<category><![CDATA[Michelangelo]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=142</guid>
		<description><![CDATA[Poor Agostino di Duccio. He had learned his craft under the most innovative and imaginatively expressive sculptural master of the quattrocento, Donatello. But Agostino could not have been happy on the mountain in Carrara as he oversaw the quarrying of &#8230; <a href="http://www.baroquepotion.com/2010/07/diegesis/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<slash:comments>2</slash:comments>
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		<title>She&#8217;s five and a half feet tall and weighs about a ton</title>
		<link>http://www.baroquepotion.com/2008/07/shes-five-and-a-half-feet-tall-and-weighs-about-a-ton/</link>
		<comments>http://www.baroquepotion.com/2008/07/shes-five-and-a-half-feet-tall-and-weighs-about-a-ton/#comments</comments>
		<pubDate>Fri, 11 Jul 2008 21:41:03 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>
		<category><![CDATA[Ancient]]></category>
		<category><![CDATA[Connoisseurship]]></category>
		<category><![CDATA[Forgery]]></category>
		<category><![CDATA[Medieval]]></category>
		<category><![CDATA[Roman]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=53</guid>
		<description><![CDATA[Once in a while, the world sees the discovery of an ancient artifact in good condition that isn&#8217;t a forgery.  In this case, excavators near Skopje have unearthed a relatively awesome late Roman Venus pudica: All too often, things like &#8230; <a href="http://www.baroquepotion.com/2008/07/shes-five-and-a-half-feet-tall-and-weighs-about-a-ton/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Stonehenge Honors the Dead</title>
		<link>http://www.baroquepotion.com/2008/05/stonehenge-honors-the-dead/</link>
		<comments>http://www.baroquepotion.com/2008/05/stonehenge-honors-the-dead/#comments</comments>
		<pubDate>Fri, 30 May 2008 16:01:39 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>
		<category><![CDATA[Death]]></category>
		<category><![CDATA[Monuments]]></category>
		<category><![CDATA[Neolithic]]></category>
		<category><![CDATA[Sculpture]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=46</guid>
		<description><![CDATA[Turns out, as confirmed by radiocarbon dating of human remains discovered at the site, that Stonehenge was built on land already in use as a cemetery, and was therefore constructed with the dead in mind.  This evidence and its apparent &#8230; <a href="http://www.baroquepotion.com/2008/05/stonehenge-honors-the-dead/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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