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	<title>Baroque Potion &#187; Ephemera</title>
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	<description>Quaff the Potion!</description>
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		<title>He sure knew how to throw stones</title>
		<link>http://www.baroquepotion.com/2010/09/he-sure-knew-how-to-throw-stones/</link>
		<comments>http://www.baroquepotion.com/2010/09/he-sure-knew-how-to-throw-stones/#comments</comments>
		<pubDate>Mon, 06 Sep 2010 23:09:32 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=280</guid>
		<description><![CDATA[Philip Johnson was the focus of one of the questions on my written comps when I was studying art history. Out of sentiment as well as historical delight, I always treat his Glass House and related works when I teach &#8230; <a href="http://www.baroquepotion.com/2010/09/he-sure-knew-how-to-throw-stones/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Glenn does Guernica</title>
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		<pubDate>Tue, 20 Jul 2010 21:48:27 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>

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		<description><![CDATA[Just back from his first visit to Madrid, Glenn Adamson of the V&#38;A offers a short take on Guernica and its preparatory sketches.]]></description>
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		<title>Conceptual comestibles</title>
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		<pubDate>Tue, 20 Jul 2010 01:57:50 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>
		<category><![CDATA[Conceptualism]]></category>

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		<description><![CDATA[A recipe for a some playful brainfood: Take one local artist with an irrepressible interest in issues of ethnicity and identity. Add her healthy preoccupation with the cultural semiotics of cuisine. Mix with a promenade along Baltimore&#8217;s inner harbor and &#8230; <a href="http://www.baroquepotion.com/2010/07/conceptual-comestibles/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>&#8220;Elementary,&#8221; he said.</title>
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		<comments>http://www.baroquepotion.com/2010/07/elementary-he-said/#comments</comments>
		<pubDate>Tue, 13 Jul 2010 04:14:09 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>

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		<description><![CDATA[David Packwood of Art History Today provides an interesting overview of some issues raised at the intersection of traditional connoisseurship and scientific analysis. Do contemporary empirical methods threaten to displace the variable, and sometimes volatile, mix of observation, intuition, memory, &#8230; <a href="http://www.baroquepotion.com/2010/07/elementary-he-said/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
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		<title>Excoriating the Bawdy Politic&#8230;.</title>
		<link>http://www.baroquepotion.com/2009/07/excoriating-the-bawdy-politic/</link>
		<comments>http://www.baroquepotion.com/2009/07/excoriating-the-bawdy-politic/#comments</comments>
		<pubDate>Wed, 01 Jul 2009 13:29:58 +0000</pubDate>
		<dc:creator>David Byron</dc:creator>
				<category><![CDATA[Ephemera]]></category>

		<guid isPermaLink="false">http://www.baroquepotion.com/?p=134</guid>
		<description><![CDATA[Over at Popehat, I&#8217;ve written some thoughts about the cheapening of bawd in art, letters, and especially the press.  There is art, and there are pirates.]]></description>
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